It’s time to acknowledge something that’s been painfully
clear in all of these posts: I’m pretty sure I’m addicted to TV. Things came to a head in these last few weeks
of I’m A Celebrity. Until the Sky man comes next weekend (so that
I have ITV2 HD in time for Love Island –
always set and achieve your life goals), I’m in a household without any decent
way of recording off my massive OLED telly.
Unable to stomach a nightly hour-long show complete with adverts
(especially at Christmas, the most odious time of the year) I decided to watch
the show catching up a day behind on ITV
Hub. However, this VoD service has
the picture quality of peering through a steamed shower panel, the ads are all
still there but at higher frequency and it loses your programme coming out of
each break with a cheeky Whoops! message that infuriates more than it
sympathises. Realising it would only be
a matter of time before my remote was smashed through my LG 55” screen, I reluctantly
switched back to live viewing. Suddenly,
we were back in HD, and I could tell which one was Ant and which one was Dec
again. The dreaded ad breaks became
three-minute chunks during which I would find other things to do, banal things
like wash up, clean the kitchen, Whatsapp pals or stare into space – each
preferable to watching supermarkets argue about who can provide the most
magical Christmas. The bigger drawback,
though, was that I became a slave to the appointment to view.
Every evening was a countdown to 9pm, lest I miss the
opening link. Before the I’m A Celeb
final, the nightly show was running longer till 10.30, cutting thirty minutes
into my sacred bedtime and making the 5.30am alarm the next morning for
Crossfit all the more devastating. It
was hell. I’m relieved it’s over,
despite loving the show. My point is,
keeping up with my favourites and devouring new boxsets in order to keep this
blog interesting is starting to dominate my evening life. I’m ending up watching hours each night,
normally too exhausted from the early morning and full day of work to do
anything productive (first-world problem – it warrants no sympathy). Once my bum hits the sofa, that’s it. I’m supposed to be furnishing a new flat, but
now that the TV den part of the living room is up and running, I’ve a bad
feeling we’re going to be stalled here for some time before there’s any further
progress. I have become a couch
potato. I have become my father.
It’s only fitting, then, that this week I should take a look
at another set of people who while away their time on this fascinating planet
sedentary on DFS furniture staring at a telly screen (though my sofa is from Heal’s
everybody). So, let’s do Gogglebox. But, before we go any further, I should
confess that this is a programme I don’t watch.
Don’t worry, though, that’s never stopped me throwing in my two pennies’
worth before (see posts on The Apprentice
and Keeping Up With The Kardashians). I’ve channel-surfed on enough Friday evenings
to catch sufficient chunks of it to have the measure of the format and its
cast. Please read on while I oscillate
wildly between tearing it asunder and extolling its charm.
And I do have some bones to pick with Gogglebox. For the unaware, it’s a TV programme about
people watching TV programmes. It’s a
real-life The Royle Family. Up and down Britain, we mutually view selected
televisual highlights with a cast of actual non-famous normos. That’s right – we watch people watch
telly. Despite all of the above making
it clear I’m wasting my life away, this format is the very definition to me of
wasted time, and it’s for this reason I never make any effort to watch it. Additionally, it shows you all the must-see
moments of the week just gone which I rightly suspect would have the effect of
making me want to watch even more TV.
This would benefit no-one. But
what I didn’t realise about the filming process was that the cast of Gogglebox
know what they’re going to watch – they have scheduled filming sessions. The production team pick the shows, put them
on and then sit down to shoot the reactions.
When I realised this, I was very disappointed. I thought we had more of a Big Brother vibe: families sign up to a camera
being in the living room, go about their viewing lives as normal, and then the
best bits are picked up and edited together.
This, I always felt, would be a fairer reflection of what we really
watch and how we really react. It’s
excessive and impractical, but that’s just where my imagination goes to first.
Linked to this first fallacy and the fact that the
participants know they are being filmed we have the following consequence:
their responses aren’t that natural.
It’s an artificial set up. I
therefore can’t escape the feeling they’re all showing off. Don’t get me wrong, I love showing off. I do it constantly and enjoy it in others if
they are entertaining me. But Gogglebox
acts like it’s a sneak peek behind closed doors to a more humdrum evening, with
interstitial shots of household façades leading to cosy living-room set-ups,
allowing we privileged few to glimpse real truth from unaware subjects. But no, it’s just regional accents trying to
think of the funniest thing to say about that week’s news or the John Lewis advert. And it’s at that point I stop caring.
Everyone talks about their favourite Goggleboxers, but I
don’t really know who’s who beyond those that have appeared in other reality
shows (looking at you, Celebrity Big Brother). What I do love is the diversity. We have all points of the UK compass covered
here: a wide array of family structures, lifestyle choices, ethnic backgrounds,
cultural values, political persuasions, incomes, faiths, genders, ages,
sexualities etc – basically every flavour of Brit you can shove out of the way
on a crowded train. What unites them all
is a need to redecorate their living rooms.
It’s a bit like Come Dine With Me
when you see that someone’s kitchen is a bit natty in comparison to all the
show kitchens you see on cookery shows.
That said, given how many of them have hundreds of dogs sprawled across
their soft furnishings, rubbing their worms into the fabric and wafting their
canine farts over the cushions, there’d be no point updating any of the
interiors. You can sometimes smell the
dog breath through the screen. But it
doesn’t matter what I think: what’s touching is the genuine love and affection
these family members and friends have for each other. That, at least, is always reassuringly
genuine, if sprinkled with dog hair.
So, who on earth do I think I am talking disparagingly about
Gogglebox simply because the people on it watch TV and do showing off? This whole blog is based around the exact
same concept: I watch too much TV and then show off about it, desperately
seeking attention for my musings, awaiting offers of global syndication and
secretly beaming when friends compliment my writing in real life. The difference, sadly for me, is that
Gogglebox still has millions of viewers, whereas I’m only getting tens of
thousands of reads here…
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