Showing posts with label trash tv. Show all posts
Showing posts with label trash tv. Show all posts

Saturday, 31 March 2018

Ex On The Beach

After an earnest few weeks on the blog, it’s time to return to the world of trash TV and my conflicted opinions about not being able to stop myself watching it.  At the heart of this will be the fact that I wish I was more like the people on these shows (more muscular, better at going out, on a free holiday), while simultaneously enjoying a smug feeling that I am better than them (I am not taking part in desperate reality shows).  Ultimately, switching my brain off while this nonsense is on is my version of meditation and mindfulness, so we can pretty much guess my level here anyway.


Ex On The Beach is back for an eighth series.  No, really.  Those who thought that the 2014 concept couldn’t live on through the years has been proven wrong.  It’s a bit strange really, as the central hook of that first series all those summers ago was that the contestants had no idea what show they were actually taking part in.  They thought they had been whipping their bodies into shape for a beach-based dating reality show, only to find out that, one by one, their exes would be washing up unannounced on the beach, leading to the same feelings of regret as brought on by the sickly sweet cocktail whose name forms the hilarious pun of the show’s title.  In all subsequent seasons, young folk in bikinis and short shorts have willingly turned up to have the dirty laundry of their tawdry love lives dragged out of the sand for all to see.  Honestly, you really can’t believe what personal things people will share in order to gain attention.  It’s a bit like an unwanted blog about TV shows I suppose.

Sharing its home channel with Geordie Shore, I knew this MTV format was right up my alley.  Forcing the housemates in the boys’ house I shared in Brixton at the time was less certain, but by hook or by crook I managed to keep up with those first eight episodes.  I had to find out whose ex was next.  They were placated by the stringiness of the bikinis on show, as the programme’s casting team ensured sure that only the most spectacular bodies made it in.  But all the contestants somehow looked better than they deserved, as their behaviour was in turn the appalling factor that, once drawn in by gratuitous footage of bikini bottoms being hoiked out of sandy bum cracks, kept viewers like myself hooked as the drunken car crashes played out one after the other.


And the show really does need something to keep you viewing, as you are wading through a lot of flannel.  The average one-hour episode is split into four quarters by advert breaks.  Once you’ve taken out 15 minutes of commercials, the remaining time is bulked out by each quarter beginning with a recap of what’s just happened and ending with a throw-forward to what’s happening next.  So not only are you watching trash once, but each occurrence gets three airings until thoroughly burned into your bleeding retinas.  Attempts at tension-building are also manifested by the ever-present countdown to the next ex, which can be in T-minus 48 hours or ten minutes or anything in between.  Traditionally, the Tablet of Terror (which seems to be the only communications device the contestants are allowed) pings in the least terrorising way possible to summon three housemates to the beach on which these exes simply won’t stop appearing.  You’re asked repeatedly whose ex is next until you can’t think about anything else.

Obediently, the three chosen ones wait on sun loungers getting increasingly anxious about whose psychotic ex-bird or possessive jilted boyfriend will emerge from the surf to ruin their free holiday.  You can bet your bikini bottoms that someone will make a comment along the lines of “my anus is twitching like a rabbit’s nose” which really helps non-viewers understand the tone of the show (in case they hadn’t gathered this already).  Cue some very drawn-out editing and probably a cut to a commercial break before, finally, some drowned rat appears in the surf trying to look sexy.  I’m not sure if we’re supposed to believe that they’ve swum all the way from home.  I always imagine the production team helping them get waist deep in the waves while trying to prevent the three on the beach from noticing.  Presumably, somebody else is also attempting to stop bemused holiday-makers from wondering into shot.  Somehow, the ex doesn’t drown and makes their way to the sun loungers, and high drama immediately ensues.  Invariably, one half of the ex-couple wants to get back with the other, but the other has already been through all the contestants like a steam train, or cheated on them 36 times with a minibus of singles from Sheffield.  Either way, at some point, they’ll still claim to love each other.


And so it goes on.  More exes appear.  Alcohol is used to goad arguments.  The Tablet of Terror sets up dating opportunities designed to drive the most jealousy possible.  Lads try to crack on.  Girls get pied.  Each situation can only climax in one of two ways.  Either there’s actual fisticuffs which erupt after cocktails get flung poolside in outbursts of rage.  Or enough adults finally consent to a bit of rumpy-pumpy, in which case you can readjust your undercrackers watching a duvet quiver through night-vision lenses.  If this doesn’t fulfil you, then you don’t deserve to watch.

I should point out that nobody wins the show.  Some contestants get booted off at arbitrary moments, all with an irreverent voiceover that’s genuinely glad to see the back of them.  More recent series have included twists to liven things up, such as exes appearing at surprise moments rather than just on the beach.  And there always seems to be a Geordie Shore cast member in the mix just in case the real people don’t know how to drink too much and then let loose with their bottled-up emotions.  It all reminds you why encountering other British people abroad on holiday is so embarrassing.
Series 5 was a particular hoot where the best exes from the previous seasons showed up again to prove they had learned nothing from their own behaviour the last time around.  In fact, they had actually worked out that the more outrageous their behaviour (in terms of womanising, man-ising (is that a word?), fighting and throwing tantrums), the more likely they were to get invited onto other reality shows, such as Celebrity Big Brother, to draw out full media careers from a skillset that basically boils down to having colourful sexual histories and enjoying a bit of camera attention.  Cue my jealousy again.

This is because, in this day and age, both genders can do whatever they want, with or without each other, and I am only too happy to see it broadcast across my screens.  All you need is a sizeable social media following, a big presence on the nightclub scene of a regional city and oodles of wild abandon, and you too could be slopping your way into a show that’s repeated in MTV’s schedule as often as what seems like ten times a day.  And with series 7, filmed in Thailand, appearing to unveil a deep lowering of the standard in physical appearances for the contestants (I don’t want to call people fat or ugly, so I’ll just beat around their bushes instead), we’ve all got a much better chance.  Maybe the more beautiful folk are on Bromans or Survival Of The Fittest.


I’ve already gone on too long, but I can’t bear not to mention the spin-off show, called Ex On The Beach: Body SOS.  In it, Vicky Pattison (love her) and her celebrity trainer mates help real people get bodies worthy of emerging from the sea as if they were an ex on a beach.  You don’t actually need to have been a love rat to be on this.  An episode typically has a slim lad looking to bulk up with his first muscle, and a girl with wobbly bits from too much drinking who’d like to wear a bikini without people poking her with sticks and chasing her from their village with pitchforks.  Each victim is cruelly forced to strip down in their raw state and walk into the British sea, before finally emerging transformed from the sea somewhere much sunnier, where their friends and family have gathered to approve of them more than they did before.  I fast-forward everything in between as it’s just people whingeing and crying, but worth a watch if you like that sort of thing and don’t expect any helpful information about how to live more healthily.


From my position on the self-diagnosed autistic spectrum, modern dating is hard to understand.  Suffice to say that Ex On The Beach sheds no further light on why people do certain things, just that they do them while ranting and raving.  Sex and affection are used as weapons in a battle of the genders.  The only winner really is me on the sofa, wilfully numbing my brain so I no longer feel the torment of office life in London, titillating myself with all the emotional highs and lows of a drunken holiday without having to worry about sun-burning my shoulders or how much liquid I can take in my hand luggage on easyJet.

Thursday, 11 January 2018

Celebrity Big Brother


I don’t know if you’ve ever been to Borehamwood, but it’s not worth it.  I’m from a crap town myself so I can say these things.  I have, however, found myself there before, and both times it was due to Big Brother.  Can you believe that the largest commercial operation (probably) in this part of North London is the Big Brother studio?  And every January and summer it is descended upon by a raft of household names (I didn’t say ALL households), each desperately hoping to get a bit of work in showbiz by taking part in Celebrity Big Brother.


Given the show’s home has been Channel 5 since 2011, contestants’ chances of getting back on the telly after a series ends are actually higher than ever.  Hold tight for the inevitable: a heavily promoted four-episode run of Posh Former Politician And Working Class Hero Go Dog Grooming or a three-part special of Disgraced Ex-Popstar And Washed-Up Child Actor Test Lilos.

But if we go right back to 2001, we’ll find a much more tasteful approach to Celebrity Big Brother, designed to be more palatable to the broader tastes and narrower minds of middle England.  There were only six celebrities (and you had heard of them all).  It was for charity.  It was co-broadcast on Channel 4 and the BBC.  The BBC!  And it only lasted ten days.  Today’s celebrity housemates have to stick things out for up to 30 days, though lest we forget that beloved Vanessa Feltz did manage to have a breakdown in series one after only a handful of days.

Sixteen years later, it must be fair to say that it’s really only a hard core of lifelong fans still tuning in, as series 21 hits our screens on a nightly basis.  You won’t be surprised, given my love of trash TV like Bromans and Geordie Shore, that I count myself firmly among this number.  Celebrity or normal, I will take Big Brother in any guise.  With the normos, their desperation for attention drives them to be locked into the house for days on end.  But for the celebrities, it is often their desperation for attention they have had and then lost that drives them, which leads to even more compelling viewing.  It’s not even important if you’ve ever heard of them.  Whether they’re a runner up from some awful US dating show, or they were in that sitcom from the seventies that your parents remember watching, they all end up completely sucked into the highly pressured communities of tension that take shape in the house with each series.



There’s always excitement as they go in.  Who will it be?  What will they say?  Will they get booed?  Will they fall over in the rain?  Why does everyone in the crowd look a bit overweight?  I’ve taken to watching the insertion broadcast on fast forward, as it’s often incredibly awkward.  It’s the first real episode that gives you the insights on the entrances, as the overnight editing that takes place allows the important snippets to be properly sound-mixed and thus begins our journey.  Before long, you’ve forgotten all you knew and assumed about these people and it’s all about what they say and do in the house.  For me, this is perfect entertainment.  While the environment and circumstance are utterly utterly fake, the relationships and interactions become real.  It’s not a soap opera whose script has been generated by cliché bingo, it’s real people struggling to articulate themselves and control their emotions.  Drink it in!

Earlier series were won by whoever was the biggest name going in, such as Julian Clary or Ulrika Jonsson.  2014 was a particularly tough year when the two series were won by the most awful individuals: Jim Davidson and Gary Busey.  But now, with just the biggest fans still watching, it’s whoever has the most harrowing journey in the house that is rightfully rewarded.
So, let’s take a look at my favourite moments from these 21 glorious series.


Series 7 Alex Reid kick-boxes a snowman

It snowed heavily and the housemates made a snowman (see, the famous are just like us, aren’t they?).  Then Alex Reid went out and kick-boxed it into a pile of nothing, all while make weird breathing noises that proved he really knew what he was doing about martial arts.  The editing drew this out into a long segment and it took on a strangely poetic quality.  Fantastic.

Series 18 James Whale pours coffee on Stephen Bear

Bear was an absolute nightmare to live with, antagonising everyone for his own amusement.  Yet it was very gratifying to see how riled up he got right-wing slop-jock Whale.  Sinking to Bear’s level, he slowly emptied a bag of ground coffee over the lad’s head.  It escalated quickly and you could just feel the violence in the air, but Bear was somehow savvy enough to know that underreacting was his best strategy.

Series 3 Jackie Stallone enters the house

She waltzes in and is first spotted by her ex-daughter in lax, Brigitte Nielsen.  Understandably, Brigitte screams Jackie’s name in surprise, to which Jackie replies, in a broad New York accent: “Yeah, Jackie.”  Try shouting it when you next enter a room full of people and you’ll be amazed at the respect you gain.

Series 3 Kenzie is dressed as an egg

Kenzie used to be Blazin Squad, but he isn’t Marcel.  I forget the task, but Kenzie had to spend a considerable amount of time in a giant, encumbering egg costume.  He wouldn’t fit in something like that these days now he lives in a gym, but he was still a wee thing in 2005.  Lisa I’Anson was complaining about her Bo Peep costume.  Deadpan, Kenzie was heard comparing his fate, muttering under his breath about having the raw end of the deal.

Series 4 George Galloway pretends to be a cat for Rula Lenska

I don’t want to be predictable, but this cannot be beaten.  My skin still crawls at these two adults role-playing like children.  Just think about George mewing and licking himself for a moment.  Go on.  The standout moment was how he suggested it to her: “Do you want me to be… the cat?”  That pause, bookended by his Scottish brogue and the subdued volume, gave the whole scenario an air of specialist porn (that I have never seen).

Series 3 Lisa I’Anson calls John McCririck a fox

McCririck is a vile bigot, with high expectations of how women should look.  However, these expectations didn’t extend to his own body.  Undergoing a quick change in the Celebrity Big Brother bedroom, shuffling around to get some trousers on in his saggy, baggy whities, he showed the effects of his lifestyle choices.  Lisa I’Anson (who I can’t believe has come up twice in my best moments) ironically catcalled him, and, of all the words, picked “fox” in order to respond to the sight confronting her.  Cruel, but hilarious.  Sometimes, when I need cheering up, I think of this moment, and it always works.


There are many more, including Jedward, the Austin Armacost and James Hill bromance, Speidi and Kim “I wouldn't shit on you if you were on fire” Woodburn.


The current series has taken a worthier approach.  This isn’t going to be a laugh-and-point exercise at the expense of fame’s failures.  We are celebrating the year of the woman.  Such endeavours have attracted the likes of Ann Widdecombe (who refuses to have any fun) and Rachel Johnson (who I once had tea and cucumber sandwiches with at the offices of The Lady).  At first, the girls were alone, but they have since popped some men in.  So now, I am watching Ginuwine (whose song, Pony, my sister and I innocently sang along to as children) sitting on the same sofa as Ann Widdecombe.

This is the beauty of the show.  But so much for the year of the woman, this has become the year of gender: the casting has thrown together a male-identifying drag queen and a fully transitioned woman who was born a man.  Cue fascinating discourse as to whether their individual gender expressions are at odds with each other.  Hopefully nobody is surprised that men have taken over from women the conversation about women.  What is surprising however, is that this really all does happen in Borehamwood.