A lot of things surprised me in 2020. The pandemic was one thing, chuckled about as
some distant news story on a ski holiday with doctor pals in January and then
ruining things throughout the rest of the year and beyond. In August, I broke my hand on a barbell, which
was in itself a nasty surprise, especially as I was in a cast during a number
of weeks when gyms actually were open. But
also on that list of unexpected events is the appearance of a second spin-off
programme from the universe of The Walking Dead. There was me, one evening during some of lockdown,
scrolling through my screening platforms and strategising to decide what to
watch so I could join in with all the chatter and ensure a completed boxset
each week so I can keep up with these nonsensical weekly posts. Picking my way through Amazon
Prime with low expectations, wondering if Jeff Bezos really needs any
more money off me in this day and age, and there, nestled among subsequent
series of Mr Robot and The Man In The High Castle that I will never
sit through, was the recognisable font of The Walking Dead. But, this wasn’t in the characteristic dark hues
I normally associate with this horror series.
It was bright and neon, exciting and new. I didn’t need to think twice before clicking
play on The Walking Dead:
World Beyond.
We’ve discussed the importance of the colon here
before. And no, I’m not talking about
the large intestine (shout out, IBS sufferers).
I’m on about those two dots you sometimes see between words. In TV shows, they separate an original title from
its spin-off progeny. You know, like Narcos and Narcos:
Mexico. Such a tiddly pair of punctuation
points can carry a very large responsibility.
If you’re an impassioned fan of the original show, then this extra facet
better be a welcome addition rather than an embarrassing dilution. High hopes were had. The Walking Dead, abandoned by many, remains
my definitive zombie boxset. Despite running
for so many series, it always maintains its edge in finding new ways to bring
to life the horrors of an ongoing undead apocalypse. Its companion show, Fear The Walking Dead, was one of the first
programmes I ever wrote about here and itself attained similar heights to its
originator. To recap, then, I had high
hopes. I have now written some
paragraphs about my disappoint.
Just One More Episode was meant to be an exercise in boxset
worship, but it’s developed a side hustle as the internet’s definitive home of
zombie TV content blogging, so it’s only fair I speak frankly about World
Beyond. What made those hopes all the
higher was the interesting angle of the concept. With the initial outbreak of walkers now so
far in the past of The Walking Dead’s universe, World Beyond would tell the
stories of the first generation to come of age since the end of the world (a
bit like the future youth of the UK now we’ve been dragged out the EU). Our protagonists are enjoying their teenage years
at the Campus Colony, a university-based satellite settlement of a grander
network of civilisation that has sprung up.
For me, simply seeing how life is conducted there would be compelling
enough, but this would clearly lack any real jeopardy. Cue the Civic Republic, a more enigmatic
political entity with whom our heroes’ community is forging a new
relationship. Hope and Iris are sisters
whose father has gone to lend his academic skills to the Civic Republic but,
suspecting him to be in danger, they sneak out of their safety bubble and
embark on a journey across the devastated USA to rescue him.
So, we’re dealing with sheltered teens here. Understandably, they’re not used to
brain-injuring countless walkers while out and about. In fact, they’re so pathetic, they tend to scream
and lie down, allowing a zombie to get on top of them and try to bite them,
only for an adult to have to come along and sort them out. How they avoid getting bitten is beyond me,
but this not only makes the walkers look like a non-threat, it makes it hard to
respect our heroes. By its very nature,
the most kick-arse Walking Dead characters are the ones that can handle
themselves around zombies with skill and flair.
Sure, the kids in our ragtag gang of rescuers all have the comic
book-inspired looks we would expect, clutching weapons that give their character
a signature or dressed individually to showcase that they’re hard as
nails/troubled/a bit intellectual. But
it’s all mouth and no trousers.
Then there’s the fact they’re on a voyage. Our setting is therefore a stream of southern
scenes that don’t really ever establish a sense of place and theme. Each season of The Walking Dead has a
settlement at its heart, but in World Beyond we stumble from one tire fire to
the next disaster, giving the episodes a cumulative effect of never really
going anywhere. We know Hope and Iris’s
dad isn’t going to be rescued until things have been drawn right out. This diminishes the tension and, ironically
for Hope, drives in a feeling of hopelessness you can’t really escape.
The Civic Republic itself is squandered as a source of intrigue. Too over the top to be that credible, yet too
mysterious to be a true threat, they top and tail this first season of ten episodes
in a way that makes you wonder if they’ve been forgotten. There’s no real reason for them to be so
sinister beyond the well-established concept that, even in a zombie apocalypse,
humans will always be the biggest monsters.
We almost rush through any substantial grounding of the political and
civil landscape to focus on the inner emotions of our teen stars, but watching
them come to terms with smashing the head in of their first zombie of a
multi-episode character arc just isn’t what bloodthirsty Walking Dead fans are
looking for. Naturally, the only way to
script such psychological storytelling is with clichés, driving down the show’s
originality score even further.
You have to be cruel to be kind, so let’s hope the second
series finds some edge, otherwise this could be the beginning of the end for a
character universe that has compelled so many viewers up till now to follow its
adventures. My hunger, quite literally,
for zombies, means I will sit through this stuff, but treat yourself to
something like Black Summer or Kingdom (킹덤) if you’re serious
about living your life under the constant threat of the dead coming to life and
eating you. You never know what 2021 might
bring.
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