As we all know, Christmas was originally established so that
shops could sell more things. This is
back when there were shops, though. Historical
times when there was an economy and EU membership. By calling their wares presents and saying everyone
had to give something to all the people they knew, once-mighty shops vacuumed
up our cash (also consigned to the past, thankfully, which will make switching
to the euro easier when we re-join the EU) while we skipped home with unnecessary
trinkets to wrap, hide under tree branches, and then distribute to relatives
before a turkey dinner and some TV, or an argument. This traditional meaning has of course been forgotten
now, partly because things were better in the olden days (especially WWII), but
also because there’s a new meaning in town: the birth of baby Jesus. Even though his mum was a virgin, this infant
founded a religion that millions follow to this very day. Some of my favourite followers are the members
of the Westboro
Baptist Church. What this waffle
means to say is that I always think of them at Christmas (even though they
dismiss the festival as being too paganistic).
So, while holed up at my parents’, a tier 4 refugee airlifted out of
London lest I miss any of the above rejoicing, I cracked out my laptop, logged
onto the BBC iPlayer, and reminded
myself of the documentaries Louis Theroux had made
about them.
For those slow on the uptake, let me just confirm that Louis
Theroux is the boxset we’ll be discussing in this week’s blog. And those quick on the uptake will be
pointing out to me that he is in fact a man rather than a boxset. While his programmes over the years have
taken such monikers as Altered States or When Louis Met, the editors and I
(actually just me) have decided to treat his whole oeuvre as one boxset
here. The fact is: it’s my blog and I
can make up whatever rules I want. But,
more importantly, this really is the best way to tackle a career coming up for
thirty years of quality output.
We’ll start with his Weird Weekends, first
broadcast when I was a wee lad of twelve and already watching things I shouldn’t
have been. Young Louis himself is a bit
of a gangly smirker, embedding himself in fringe communities focused on either
extreme views or extreme ways of life or some combination of both. What unites all he comes across is their
unshakeable conviction that they have found the ultimate life hack. Whether a career making money in porn, or
navigating marriage up-spicing with swinging parties, his subjects wax lyrical
about the benefits of their lifestyle choices.
What helps matters is that most of his weird weekenders are Americans
(from that wild land that, to British people, is where telly comes from) all too
eager to show off their certainty. Unto
them, however, Louis casts no judgment.
While the whites of his eyes might betray some consternation, his
questioning simply offers a length of rope by which they all ultimately unravel
themselves. Instead of jumping in once
they have finished speaking, Louis pauses.
His garrulous new pals can’t help but fill the gap, eventually talking
themselves almost out of their own flag-waving beliefs. It’s glorious content you can find on Netflix and, even though it looks
like it was filmed on tracing paper when compared to their modern gloss, it’s
still utterly compelling.
We then move into When Louis Met
territory, a small number of episodes that get under the skin of a variety of
prominent Brits who can only really be described as naff. Some are treasures like Paul Daniels and Debbie McGee or Chris Eubank, and others
pose more sinister figures, like Anne Widdecombe and Max Clifford. Most notorious of all is telly paedo Jimmy Savile and you can’t
help but imagine a kiddie porn dungeon behind every unopened door in his
home. For me, though, a highlight is the
haranguing of the Hamiltons, as Christine’s
self-care wine servings offer great lubrication to the antics that abound.
Both the above have occasionally been reviewed as
exploitative and, as a viewer, you can’t help but recoil at others embarrassing
themselves. That said, participation is
clearly voluntary, and we must each earn our fifteen minutes of fame as best we
can. Look at me: writing the 180th
entry in an unpopular blog.
Between 2003 and the present day, Louis sporadically treats
us to one of his BBC Two
specials. More global in subject
matter (though still always best in the USA), broader themes are investigated,
but still in characteristically extreme circumstances. Law and (dis)order figure heavily, with the
mind-blowing double on the Miami Mega Jail haunting my memory. Linked to this are explorations of addictive
behaviour. The City Addicted To Crystal
Meth remains truly shocking, with Theroux’s calm presence drawing out
gasp-inducing frankness from addicts.
His same style in Talking To Anorexia similarly sees him hide his own discomfort
in order to provide fragile girls with a platform through which to process their
irreconcilable behaviour. Tragedy looms
large and Theroux will return to subjects to track their progress only to find that
things haven’t turned out as planned, Twilight Of The Porn Stars being a
particular example.
I would also commend our man’s bravery. In America’s Most Dangerous Pets, he unearths
a pre-Tiger King Joe Exotic and remains calm
in the face of some harrowing animal encounters. But 2007’s visit to The Most Hated Family In
America stands out as the best example of Theroux’s willingness to stick his
head in the lion’s mouth. We’re back the
Westboro Baptist Church of my introduction, a bible-inspired hate group who
achieved notoriety by picketing the funerals of dead soldiers with offensive
(and poorly illustrated) signs blaming all of America’s problems on
sodomy. Louis is hosted by the charismatic
Shirley Phelps-Roper,
daughter of the church’s founder and committed member, happy to shout down his
ludicrous questions about whether she has to be so nasty to everyone. With Theroux, we stand by while she runs her
household of eleven kids with maternal tenderness, making sure they are clear
about who will burn in eternal hellfire (everybody else) and who won’t (them
and them alone).
In 2011, Louis returns to the Phelps in America’s Most Hated
Family In Crisis, quizzing them about departed members who have come to reject
the group’s ministry but also noticing that their infamy has attracted new
converts. This brings me to the
highlight of this year’s festive period for me: uncovering a third documentary
in this series. Surviving America’s Most
Hated Family interviews, among others, Shirley’s own estranged daughter, Megan Phelps-Roper. In earlier documentaries, she embodies the
unwavering conviction that characterises Theroux’s subjects. To see such a sensible young lady calmly spout
vitriol offers an insight into human potential that scripted drama often fails
to approximate. But, as she details in
her book that I happened to be reading at the same time, Unfollow,
she began to uncover inconsistencies in the doctrine the church promoted. The arguments on Twitter that had so thrilled
her started to persuade her. Now, here she
is, talking to Louis Theroux and the whole world about treating fellow humans
with compassion and kindness, rather than shouting at them while they bury
their dead, holding aloft illustrations of stickmen penetrating each other.
Conversely, Louis of later years does start to take
exception to his subjects’ beliefs, almost speeding up the process whereby they
formally unravelled themselves independently and prodding them more impatiently
to agree that, yes, they’re being a bit silly and should probably stop it. A father in his fifties, should we worry that
Theroux is becoming the more conservative older gent so many of us are sadly
destined to turn into? Probably not, as
he does concede where convinced, and he ultimately comes from a place of
compassion and understanding. There
appears a genuine worry for the wellbeing of those involved. In my eyes, he can do no wrong. I’ve devoured his compelling podcast series, Grounded, and am fairly certain
we will one day be the best of pals. And
with that, he enters into the folklore of Just One More Episode,
alongside 179 of my most important boxsets.
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