We have some more firsts this week. It’s the first travel show to feature on the
blog (and Love Island doesn’t count, even though
it’s the best holiday we’ll never get to go on) and it’s the first show to have
a colon in its title. The colon bit
isn’t very interesting really, but the travelling part is what saw me select
this from the overwhelming complexity of the Netflix menu. I wanted something short, something vaguely
British, and something with a few chuckles.
I also didn’t want there to be too many of them to get through. And luckily, Jack Whitehall: Travels With My
Father ticked all of those boxes.
I normally tend to avoid the genre of programme denoted by
the term travelogue. You know the
thing. It’s Joanna Lumley swanning
around India looking at cats. Or Michael Portillo
sniffing the bedsheets at different hotels in hot countries while wearing a
blazer the whole time as if he’s sold his soul to the devil in exchange for
never sweating, despite the fact he stills come across as slimey, regardless of
the dryness (or wetness) of his pits.
There’s even one where Chris Tarrant goes on
trains. I go on trains every day, but it
doesn’t get put out on ITV1 in late peak and
regularly pull in millions of baby boomer viewers looking for inspiration about
where to thrust their money now they’ve used up all the wealth in the country. But the rules that govern what I would never
watch on normal telly go out the window when it comes to Netflix’s wily
ways. I’m powerless in the face of the
endless choice. Maybe the pressure will
subside if I just watch one more show, bringing me that little bit closer to
completing everything on there and becoming a hero of office conversation. There’s not much else to live for.
The premise of the show is tenuous. Whitehall never had a
gap year (pronounced gap yah of course) what with his stand-up career taking
off, thanks to the huge gap (minus the yah) in the entertainment market for a
loveable posh boy who’s happiest when everyone is laughing at him. Now is his time to hit up South East Asia for
all the clichés imaginable, safeguarding a future where he can join the ranks
of Thailand bores who discuss which islands they did and didn’t do while I
slowly glaze over and die inside because I can’t join in. But this isn’t enough comedy, so Whitehall
Senior, Jack’s grumpy father, comes too.
Michael
Whitehall likes to wear suits, live in luxury and doesn’t want to leave the
comforts of South West London. Cue
ensuing hilarity as full moon parties collide with wine tasting and everything
in between.
I’m lucky enough to have been a direct recipient of Jack
Whitehall’s humour, so I can safely vouch for the fact that merely dropping him
in confusing foreign situations should be entertainment enough. At a work event, we were treated to a Comedy
Central stand-up night. I arrived just
before the start and joined friends at the last remaining table just by
the stage. Someone warned me this would
be a bad idea, but I was well tucked away and had no conspicuous features about
me, so I felt certain that I wouldn’t be threatened by unwilling audience
participation. How wrong I was. Within seconds of the compere appearing, I
had been dragged on stage and subjected to a multitude of embarrassing
situations. By the time Jack came on, I
had inadvertently become a focus for most of the acts. “Where’s Rob?” was his first question. He took a good look at me and then asked me
what I did for a job. My wanky media job
is hard to explain, so I opted for the vague catch-all term of: creative
solutions. His response came in a beat: “More
like pussy solutions.” So, yes, we can
all agree he is hilarious.
The addition of his dad is also a nice touch. Well into his seventies, Michael hasn’t got
time for any of Jack’s shit, including, but not limited to: being called Mike,
being called mate, using any lavatory that deviates from the European norm,
drinking anything alcoholic besides fine wine, all of Jack’s outfits. There’s a deliciousness in the awkwardness
whenever Jack brings up the ways in which his father has struggled to show
affection or love in the past, such as sending him off to boarding school at a
young age. Michael is always quick to
retort that Jack is a constant disappointment to him, so it really is like
looking into a family mirror.
When being natural, I could watch these two explore
anything, from the Killing Fields of Cambodia to Chernobyl (both of which get
covered). However, there seems to have
been a terrible decision to include a number of constructed moments. In these, obvious gags are set up and play
out with such artificiality that it’s hard not to want to switch off. A particular lowlight is Jack being pushed
into a fountain by Steven
Seagal. Very strange.
The second series sees the lads conduct a grand tour of
Europe (in the style of Victorian poets rather than in tribute to any consumer
vehicle review show hosted by old white men in bad jeans). Jack gets to live out one of his lifetime
dreams, playing funky saxophone with SunStroke Project, a
Moldovan boyband who don’t share his sense of irony. Michael, meanwhile, is comforted by the
continuing presence of Winston, a kind of creepy good-luck doll they picked up
in Thailand and on whom he showers more love, praise and affection than it
seems Jack has ever received. This is
oddly reassuring, as a fellow British person.
So, should you go on some travels with Jack Whitehall and
his father? Probably. It’s easy viewing, mildly chucklesome, at
points both touching and informative.
You can get a good cringe workout during each set piece, but they are
soon over and you’re back to feeling inspired about booking that flight,
exploring that foreign culture or cherishing time with your beloved
parents. You probably won’t get your own
travelogue TV format commissioned, with its very own colon, such as Generic
Person: Let Me Bore You With My Travelling Yarns, but that’s because you’re not
Jack Whitehall and therefore nobody cares.
(Is anyone still picturing Michael Portillo sniffing bedsheets?)
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